Kay Fedewa Is A Bitch Unknowns on Lavapiés. By Cristina Mirinda.

MLXC It was the Madrid Theatre who years later became the Theatre Barbieri, a place where in 1893

something momentous happened: Augusta Berges, a sturdy Belgian artist , luxuriant in the spotlight, played for the first time in Spain, a couplet: spicy ditty performed and suggestive for a predominantly male audience

, testosterone and the end whiskers the SXIX, pimpante as branches of aloe vera. The title of this couplet, which became legendary, was the flea and read:

"I have a flea in his shirt /

that crazy jumps and runs and glides ... / As this flea will run myself find /

I assure you I'll pay. "

was born on couplet "peep"
what came to be called the gender

negligible, as opposed zarzuelas two or three acts The large genus, and one-act zarzuela, an hour's duration, the genre. From 1911 the couplet no longer a

espect & amp; aacute; ass "almost pornographic" frivolous, the emergence of new couplet singers such as La Goya, Fornarina, Raquel Meller etc and new theaters to become a mass phenomenon whose initial spark jumped
Spring Street, near the present
Café Barbieri
. The flea bite Spring Street is still smarting .

Photo Cristina Mirinda. Thus, today theaters and lounges, live entertainment venues (arts sce ; techniques and music) of all kinds, in Lavapies are many: CDN Teatro Valle-Inclán
, the Teatro
Wooden Sword

the


Theatre Narrow Gate

the Triangle Chamber, the Center New Designers-Sala Mirador , C